“There’s a duality in the lyrics just like how the game discusses the duality of war, right? We tried to leave it up to interpretation and have multiple meanings,” Christopherson told me. Revengeance was unique at the time, and still is, for how it used lyrics in boss fights to reflect each opponent’s inner thoughts, providing the fast-paced game with not just a kick-ass metal soundtrack, but a way to expand on its seemingly one-dimensional characters. So, the lyrics are very kind of fanciful and poetic in a way.” “While I did want it to be specific to that boss, I also wanted it to be left to interpretation a little bit. “We wanted to get the character of the bosses into the songs,” explained Christopherson.
NME sat down with Christopherson to ask all about the iconic game’s revitalisation, and how its music came to be in the first place. To live up to Revengeance’s frankly bat-shit story, characters and premise, developer PlatinumGames wanted each boss to have their own lyrical track, so the studio enlisted composer Jamie Christopherson – who’d previously worked on a number of games for Capcom – to define the game’s sound. READ MORE: How Metal Gear Solid’s timeless yarn raised the standard for video game storytelling.Outliving its initial release in 2013, Revengeance is back in the collective consciousness and bringing with it over-the-top dialogue, colossal story beats, slice-and-dice action, and an incredible soundtrack that really puts the “Metal” into Metal Gear Solid.
If you’ve seen a cyborg attempting to beat the shit out of an American senator recently, then you’ve been exposed to Metal Gear Rising: Revengeance.
0 kommentar(er)
